BEN NATHAN

The Valley Room, Hastingwood Trading Estate, London, UK

2025 - present Ink drawings

Recorded during habitual explorations of familiar cities.

Untold Edmonton, Enfield Council, NL Heritage Fund

Barnabu, Collectif Nabuchodonosor, Béziers, France

ZK/U Residency, Zentrum für Kunst und Urbanistik. Drawing Installation, 2018

ZK/U, Berlin, Germany

ZK/U, Artecitya project, Berlin, Germany

2018 Glacial Waters

ARTBAT FEST 9 European network Artecitya, ZK/U, Almaty, Kazakhstan

2017 London Creative Network

[ s p a c e ], London, UK

Palisade, 2017, enamel on aluminium, 20 x 30 cm

Palisade 3, 2017, enamel on canvas, 90 x 90 cm

Only the piers remain. Eight of these protrude the Thames today, once supporting the former West Blackfriars and St Paul’s Rail Bridge. Thei

According to Saussure, the signifier is the phonological element of the SIGN; not the actual sound itself, but the mental image of such a so

‘Seen from a scientific point of view, there is no beginning as such that can be pinpointed and no end that we can be certain of’ (Teymur, 1

Lightning tree

Greece lost more of its Jewish population in the Shoah, proportionately, than almost any other country in Europe during the second world war

Eungbong, 2014, oil on aluminium, 93 x 118 cm

Shin, 2014, stainless steel on painted aluminium, 93 x 118 cm

Riverscape, 2017, oil on aluminium, 54 x 76 cm, private collection

2015 / Picturehouse Cinemas Ltd commission, Crouch End Picturehouse (Panter Hudspith Architects), London, UK

Gateway, 2013, oil on canvas, 131 x 164 cm

Seascape, 2012. 122 x 183 cm Oil on canvas panel. Private collection

Gate, 2006. Installation at Vision solo show, Rosenblatt Solicitors. Plywood, 11 x 122 x 210 cm. Private collection

Pipe, 2007/12. Installation at Vision solo show, Rosenblatt Solicitors. Plywood, 11 x 122 x 210 cm. Private collection

2014 / NANJI TANKS, SeMA Nanji Residency, Seoul Museum of Art, Seoul, South Korea

2015 / Pyeong Chang Biennale, Gangwon Province, South Korea

Production still. BRICK DAY, HD video, 4’ 17”, 2014

2015 / [K-rei-t], 43 Inverness Street, London, UK

Seoul Museum of Art, Seoul, South Korea

Château d’Eau, 2012. Oil on two-part canvas, 181 x 166 cm, (installation view at 43 Inverness street). Private collection

The Water Tower, 2011, oil on canvas, 125 x 125 cm, private collection

2014 / Temperance, situated work (demolished), London

Gasometer, 2012, silver gelatin print, 20 x 25 cm

Canal Meets Westway, 2008, oil on board, 110 x 150 cm, private collection

All work is for sale unless otherwise stated

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