An (accessible) introduction 


The general belief in almost all cities’ environments is that a fence, barrier or boundary should not be passed without permission. After all, if, as popular wisdom declares, do not put yourself at risk – health and safety is paramount, rules and regulations. But can there never be a ‘real’ experience? And will it never be possible to access that part of our cities’ extended urban space again, the attractions of the terrain and the encounters, since the fence was erected? Upon the arrival and installation of new steel fencing at sites such as underneath a victorian train arch has clear-cut no access been approved? The moment when remote instruction is passed the status quo has been established. Another part of our extended urban space will never be able to be experienced by future generations. But how can we continue to experience and access these places again without lengthy applications or agency fees? Or however on closer inspection, through some miscalculated error, is there a gap in the fence with no site security and no dogs! (Inspired by the writings of Necdet Teymur)

Enfield Dispatch. May 202468.  Print run 15K

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Enfield Dispatch. July 2023 Nº58.  Print run 15K

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Haringey Community Press. May 2023 Nº19.  Print run 15K

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ARTECITYA 9 approaches to urban challenges MoTAEditions. Featuring ZK/U’s Artist Dis-placement. 7 artists in 7 organisations.

#RITA1931, HD video, 8’ 43”, 2018

Published on the occasion of Chouchoux 6th edition, 700 copies, Collectif Nabucho.

Nouveau Quartier

Limited edition IPA. Crouch End Pacific. Bottled for the opening of Crouch End Picturehouse. Art work by Ben Nathan.

Published on the occasion of [K-rei-t] solo show. 43 Inverness Street, London, UK.

Published on the occasion of NANJI RESIDENCY 8th year.

Art In Culture, October 2015 issue.

Published on the occasion of Vision solo show. Hosted at the offices of Rosenblatt Solicitors, London, UK.